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The Sins by Jeffrey Rittenhouse, book cover

Free to read: the first chapter

The Sins

Chapter OneThe Girl Who Loved Words

The alarm went off at five forty-five, same as every morning, and Tonya reached across the nightstand and silenced it before it could finish its first full cry. She lay still for a moment in the gray half-light, listening to the building breathe—the tick of the baseboard heater, the muffled thump of the woman upstairs dropping her shoes, the faraway hiss of a bus pulling away from its stop on Main Street. Doylestown waking up. The world resuming its shape.

She pushed the covers back and sat on the edge of the bed, her toes finding the cold patch of hardwood floor between the rug and the wall. The apartment was small—one bedroom, a kitchen she could cross in four steps, a bathroom where the shower curtain touched both walls if she wasn’t careful—but it was hers. She’d hung curtains from a consignment shop on Court Street, pale yellow with tiny embroidered daisies, and in the morning light they turned the whole room the color of warm butter.

On the bookshelf beside the window, paperbacks stood shoulder to shoulder, spines cracked and softened from years of rereading. Jane Austen next to Toni Morrison next to a dog-eared romance she’d bought for two dollars at a church rummage sale and read three times since September. Books had always been her truest friends. They never cancelled plans. They never asked questions she couldn’t answer. They waited for her exactly where she left them, night after night, patient as prayer.

Tonya padded into the kitchen and started the coffee maker, a secondhand Mr. Coffee that gurgled and sputtered like an old man clearing his throat. While it brewed, she stood at the sink and looked out the window at the narrow strip of sky visible between the buildings. A band of pink light was bleeding across the horizon. It was going to be a pretty day. She could feel it.

She was twenty-three years old, five foot two on a good day, thin in a way that made older women at church press plates of food into her hands after Sunday service. Her hair was sandy blonde and fell just past her shoulders, and she had a habit of tucking it behind her left ear when she was thinking, which was most of the time. She wore simple clothes—jeans, blouses from Target, flats that were kind to her feet on the walk to work. She didn’t own a single piece of clothing that would turn a head on the street, and that was fine with her. Tonya had never been the kind of woman who needed to be seen. She needed to see. To notice. To find the sentence hiding inside the moment and set it down on paper before it disappeared.

That was the thing about her that most people didn’t understand, and she had long since stopped trying to explain it. Words were not just her job. They were the way she breathed.

• • •

The walk from her apartment to the offices of the Bucks County Herald took eleven minutes if she didn’t stop, fourteen if she paused at the bakery on State Street for a muffin she told herself she’d eat at her desk but always finished before she reached the next block. This morning she stopped. Blueberry. Still warm. She ate it in five bites and licked a crumb from her thumb and thought, not for the first time, that there were worse lives than this one.

State Street in the early morning was one of her favorite things in the world, though she’d never said that out loud to anyone. The way the storefronts sat quiet and dark behind their awnings, waiting for the day like actors in the wings. The antique shops with their crowded windows. The little restaurants that wouldn’t unlock their doors for hours yet but already smelled of garlic and bread from the kitchens in back. And her mother’s shop, halfway down the block on the right side—a small place with a hand-painted sign that Tonya could pick out from a hundred yards away. It was closed now, of course. Mom wouldn’t open until ten. But Tonya liked seeing it there as she passed, solid and real, a fixed point in her daily geography. A reminder that the woman who’d raised her alone, without complaint, without bitterness, without ever once making Tonya feel like she was anything less than a miracle—that woman had built something of her own, too.

The Herald building was brick and old and slightly crooked in the way that buildings in Doylestown tended to be, as if the whole town had settled unevenly into the earth over the centuries and decided it didn’t mind. Tonya pushed through the front door at six twenty-two, early as always, and the smell hit her the way it did every morning—ink and paper and the ghost of ten thousand coffee cups. She loved that smell. She’d loved it from the first day she walked through that door, twenty years old with a community college degree and a portfolio of articles from the school paper that she’d printed on her mother’s home printer because she couldn’t afford a professional binder.

They’d hired her anyway. She still didn’t entirely know why. Maybe her editor had seen something in those clumsy early pieces—a care for language, a willingness to revise, a quiet stubbornness about getting a sentence right even when nobody would notice the difference. Or maybe he’d just needed someone who’d show up at six in the morning without being asked.

Either way, she was here. Three years later. Still arriving before anyone else, still making the first pot of coffee in the break room, still sitting at her desk in the corner by the window and pulling up her drafts before the overhead lights buzzed fully to life.

Her current assignment was a feature on the restoration of a stone farmhouse outside New Britain—the owners, a retired couple, had spent four years bringing it back from near-collapse, and Tonya had interviewed them twice and visited the site three times and filled an entire notebook with details she probably wouldn’t use but couldn’t bring herself to leave out. The way the husband’s hands shook when he pointed to the cornerstone he’d reset himself. The wife’s voice when she described finding the original hearth buried under decades of drywall. The light that came through the kitchen window in the late afternoon and landed on the pine floor in long golden rectangles.

Tonya knew that most of the people who would read the article—and thousands would, scattered across Bucks County in coffee shops and living rooms and doctor’s waiting rooms—would spend maybe two minutes with it. They’d skim the paragraphs, glance at the photos, maybe think for a moment about old houses and the people who love them, and then they’d turn the page. They would never wonder who wrote it. They would never picture the young woman in the corner desk who had chosen every word the way a jeweler chooses stones, turning each one in the light, testing its weight, setting it only where it belonged.

And that was exactly how Tonya liked it. The invisibility was the gift. To shape the world with language and then step back and let the language stand on its own—there was a kind of holiness in that. At least, that was how she thought of it, though she’d never used that word with anyone except God.

• • •

Wednesday night was choir practice at Second Baptist Church of Doylestown, and Tonya had not missed a Wednesday in over two years. Not for weather, not for work, not for the head cold she’d pushed through last February with a pocket full of cough drops and a determination that bordered on the unreasonable.

The church was a white clapboard building on a tree-lined street three blocks from her apartment, modest in the way that Baptist churches in small Pennsylvania towns tended to be—no stained glass, no towering steeple, just a cross above the door and a signboard out front that Pastor James updated every Monday with a new message. This week it read:

This week it read: GOD’S LOVE IS NOT A WHISPER. IT’S A SONG. COME SING WITH US.

Tonya smiled every time she passed it. Pastor James had a way with words himself.

Inside, the sanctuary smelled of lemon polish and old hymnals, and the choir loft was a raised platform at the front where twelve voices gathered every Wednesday at seven o’clock to rehearse for Sunday’s service. Tonya was an alto. Not the strongest voice in the group—that belonged to Mrs. Henderson, a sixty-year-old retired schoolteacher whose vibrato could rattle the offering plates—but Tonya’s voice had something that the choir director, a gentle man named David, once described as stillness. “You don’t sing over the music, Tonya,” he’d told her once after rehearsal. “You sing inside it.”

She’d carried that compliment in her chest for weeks.

Singing was the other place where words lived for her, though in a different way than writing. When she wrote, she was in control—choosing, arranging, revising, placing each word with intention. When she sang, she let go. The words of the hymns passed through her like light through those yellow curtains in her bedroom, and for a few minutes she wasn’t Tonya the journalist or Tonya the daughter or Tonya the quiet girl who’d never been kissed. She was just a voice in a chorus, lifted up, part of something larger than herself.

She needed that. More than she let on.

• • •

Her mother called at nine fifteen that night, right on schedule. Carol Anne was not a woman who believed in surprises. She called her daughter every evening between nine and nine-thirty, had done so since Tonya moved into her own apartment two years ago, and if Tonya ever didn’t answer, her mother would call back exactly four minutes later and then, if there was still no answer, would drive the twenty minutes from Richboro to Doylestown to check on her in person. This had happened twice. Both times Tonya had been in the shower.

“So I talked to Bess today,” her mother said, and Tonya could hear the smile in her voice. “Everything’s booked. The lodge, the whole week. Lake Bomoseen.”

“Mom, that’s wonderful.” Tonya tucked the phone between her ear and shoulder and pulled her legs up onto the couch. “You deserve this. Forty three years.”

“Don’t remind me.”

“I’m reminding you. And I’m celebrating you.”

Her mother laughed, and the sound of it filled Tonya’s small apartment the way it had filled every room of her childhood—warm, full-bodied, slightly too loud, the laugh of a woman who had earned every single note of it. Carol Anne had been nineteen when she got pregnant. The man—Tonya refused to call him her father, because a father was something you had to earn and he had not earned a single syllable of the word—had disappeared the moment he found out. Packed a bag and walked out of their apartment in Levittown and was never seen or heard from again. No call. No letter. No forwarded address. Just absence, vast and permanent, like a hole punched in the middle of a page.

Her mother never spoke about him with anger. That was the part that amazed Tonya most. Carol Anne spoke about him the way you’d speak about weather that had passed—a storm that came through, did its damage, and moved on. What mattered was what grew in the ground after. And what grew was Tonya. And what Carol Anne built around her daughter was a life so full of love and laughter and stubbornness and faith that by the time Tonya was old enough to understand what was missing, she had already decided it wasn’t missing at all. It had never been there to begin with. You can’t miss what was never yours.

At least, that was what she told herself. Most days, she believed it.

“Vermont is going to be beautiful this time of year,” Tonya said. “The lake, the mountains. You and Bess are going to love the little shops up there.”

“You and Bess and me are going to love the little shops up there,” her mother corrected. “You’re coming. That’s not a question.”

“Of course I’m coming.”

“Good. Because Bess already told the lodge it’s three of us and I am not calling them back to change the reservation. You know how she gets.”

Tonya smiled. She knew how Bess got. Bess had been her mother’s best friend for as long as Tonya could remember—a big-hearted, big-voiced woman who wore too much jewelry and laughed even louder than Carol Anne and had been the closest thing to an aunt that Tonya had ever known. When Tonya was little, Bess used to bring her candy bars hidden in her purse and tell her not to tell her mother, though Carol Anne always knew because Bess could not keep a secret to save her life.

“I already asked for the days off,” Tonya said. “My editor said it was fine. He practically pushed me out the door. I think he thinks I work too much.”

“You do work too much.”

“I work the right amount.”

“Honey, you’re twenty-three. You should be out. Having fun. Meeting people.” A pause. “Meeting someone.”

There it was. Her mother dropped it into the conversation the way she always did—gently, carefully, the way you’d set a glass on the edge of a table and hope it didn’t fall. Tonya loved her mother for the gentleness of it, and she loved her enough to pretend she didn’t notice.

“I meet people every day, Mom. I’m a journalist. It’s literally my job.”

“You know what I mean.”

She did know what her mother meant. She knew it the way she knew the shape of her own apartment in the dark—by feel, by repetition, by the quiet ache that lived in the spaces between the furniture. Twenty-three years old. Never had a boyfriend. Never been kissed. She’d read about love in so many books that she could describe the feeling of a first kiss in three different tenses and make a reader cry, but she had no idea what another person’s lips actually felt like against her own.

It wasn’t that she was afraid. She wasn’t. It wasn’t that she was uninterested, though she sometimes told herself that because it was easier than the truth. The truth was simpler and stranger: it just hadn’t happened. The right person had never appeared. The moment had never arrived. She’d gone to school, gotten her degree, started her career, found her church, built her small and careful life, and somewhere along the way the milestones that other girls seemed to hit effortlessly—the first date, the first dance, the first breathless phone call at midnight—had simply passed her by like trains she hadn’t known she was supposed to catch.

She was fine. She was happy. She had her words, her work, her mother, her church. It was enough.

It was enough.

“Vermont,” Tonya said, steering the conversation back to solid ground. “Tell me about the lodge. What’s it called?”

Her mother took the redirect with grace, as she always did, and spent the next twenty minutes describing the Lake Bomoseen Lodge—the rooms overlooking the water, the restaurant, the walking trails, the small-town shops nearby where Bess was already planning to spend money she didn’t have. Tonya listened and smiled and asked questions and felt the quiet warmth of being someone’s daughter, someone’s favorite person, someone’s whole world.

When they hung up, she set the phone on the nightstand and lay back against her pillow and looked at the ceiling. The apartment was quiet. The building had settled into its nighttime hum—the heater, the distant murmur of a television through the wall, the occasional car passing on the street below.

Vermont. A lake. A week away from everything familiar.

She closed her eyes and tried to picture it—the water, the mountains, the morning light—and for a moment she felt something stir in her chest, faint and formless, like the first note of a song she didn’t know yet.

She was asleep before she could name it.